Showing Collections: 1 - 18 of 18
Formed in 1986, Georgians for Choice brought together a number of women's organizations in an effort to greater impact the protection and expansion of women's reproductive freedom in Georgia. The records consist of correspondence and printed material, as well as minutes and agendas, financial records, legal records, photographs, audio-visual records, and artifacts including textiles, that document the legislative, organizational, advocacy, and educational work of the organization.
This collection consists of one folder of correspondence and greeting cards from the files of Hugh Mercer, Jr., son of Johnny Mercer’s half-brother.
The International Association of Machinists and Aerospace Workers Artifact collection comprises a wide variety of artifacts, including charters, photographs, paintings, posters, banners, certificates, and tool kits, 1888-circa 2000. The items were created or received by IAMAW's officers, headquarters, and local lodges. The collection includes the contents of the "Time Capsule of 1955" placed in the cornerstone of the union's then headquarters.
International Association of Machinists and Aerospace Workers, Local Lodge 37 (New Orleans, La.) records
IAMAW Local Lodge 37 was chartered on July 11, 1899, and dissolved in the late 1980s. Its records relate to the day-to-day activities of a major New Orleans union and its relationship to the International headquarters, and include constitutions, bylaws, minutes, correspondence, agreement reports, financial records, membership cards and artifacts.
The International Association of Machinists and Aerospace Workers (IAM) has represented the interests of machinists, engineers, and aerospace workers since the late 19th century. Included within this collection from the IAM's central office are letters to the executive board, union decisions, correspondence, video cassettes, photography, and film reels, circa 1930s-1990s.
The records of International Brotherhood of Painters and Allied Trades Local 30 (Savannah, Ga.) consist of office files, ledgers, publications, and some separated material. The collection includes dues and minute books from "colored" Local 1463 which joined Local 30 in the 1960s.
The Johnny and Ginger Mercer Papers contain manuscripts, photographs, sheet music, recordings, printed materials, and memorabilia documenting the early careers (1920s through about 1931) of both Johnny and Ginger Mercer; their courtship and marriage (1930 and 1931); and Johnny Mercer's career as a songwriter, performer, and businessman as it continued after their marriage; Johnny Mercer's work as a lyricist.
The Marlene and Ronald Palmer PATCO Scrapbooks, 1979-2001, contain two photo albums compiled by Marlene (Marty) Palmer documenting the Professional Air Traffic Controllers Organization (PATCO) strike, including photographs and quotes by her husband and former PATCO member, Ronald Palmer, as well as the Air Traffic Controllers Support Organization (ATCSO) formed by the spouses of PATCO members in 1979.
The Ober family lived near Johnny Mercer and his family on Lido Isle (Newport Beach, California) in the 1950s and 1960s. The two families became close friends. The collection contains correspondence, photographs, and other printed and manuscript materials, documenting the long relationship between the families, as well as collected material relating to Johnny Mercer, 1976-2000.
The Order of Railway Conductors and Brakemen, Chattanooga Division 729 records includes correspondence, minutes, financial statements, a poster, a book, badges, and photographs.
Richard A. Whiting was a prominent music composer for Hollywood and Broadway productions from the 1920s-1930s. The Richard A. Whiting Collection, 1896-2006, contains files related to Whiting's life and career as a musical composer including correspondence, photographs, periodicals and sheet music.
Sadie Vimmerstedt, who was a resident of Youngstown, Ohio, wrote a letter to Johnny Mercer in February of 1957 suggesting that Mercer write a song entitled "When Somebody Breaks Your Heart." Mercer wrote the song, ultimately sharing authorship with her on a 50/50 basis. Mrs. Vimmerstedt's collection includes Mercer's first letter to her, a few Christmas cards from Mercer, and photographs taken at the 1963 Grammy Awards banquet.