Box 99

28 leaves, chiefly forms filled out by either Hamilton or Odrover, some correspondance attached to a few forms.

Complete script (?), starting with scene one. 54 leaves, heavily annotated, Faye Allen's copy. -- Translation of "Scene Four." 3 copies, two with cover letter from Eau Claire to Del Hamilton (August 27, 1986). Two copies with cover letters are 14 leaves; third copy is 5 leaves. Includes Eau Claire's resume (1 leaf).

Complete script (?), starting with scene one. 54 leaves, heavily annotated, Faye Allen's copy. -- Translation of "Scene Four." 3 copies, two with cover letter from Eau Claire to Del Hamilton (August 27, 1986). Two copies with cover letters are 14 leaves; third copy is 5 leaves. Includes Eau Claire's resume (1 leaf).

Draft dated: April 25, 2010. Playwright has New York City address. [1], 90 pages.

Three photocopies from published script. One copy is 135 pages on ca. 67 leaves. Two copies are photocopied front and back on ca. 34 leaves.

Photocopy of published script, 257 pages.

First copy: no title page, opens with the dedication. [2], 49 leaves. Heavily annotated, music cues inscribed on leaf versos. Music not present. -- Another copy with title page: What Drove Mollie Mad? / by Lamar Alford; an Experience with Music in One Act." [2], 49 leaves. Includes a copy of the performance program , April 13, 1984, at Morehouse College, Atlanta, Georgia.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.

The production files is organized alphabetically from 1983-2012 and consists of the correspondence, logistical planning and production calendars for all the tours, shows, and workshops 7 Stages produced alone and collaboratively with other local and international theater and dance groups.