Box 17
Contains 36 Results:
Nancy
, undated
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
Our Love
, undated
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
Pass It On
, undated
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
Tango
(Albert Coleman), undated
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
Untitled, circa 1941
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
Untitled melody, undated
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
Untitled melody, undated
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
Who Needs You
(Beverly G. Harris), undated
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
You Can't Get a Man With a Gun
, undated
Subseries E, Individual songs and medleys, circa 1941, undated, contains mainly manuscript lead sheets or piano-vocal arrangements of individual songs, collections of songs, and medleys. A few songs by Albert Coleman, a prominent Atlanta violinist and conductor during the 1940s and 1950s, and three songs by Beverly G. Harris form part of this subseries. Subseries E is arranged alphabetically by title.
I Don't Want Your Kisses (If I Can't Have Your Love)
, 1929
Subseries F, Dance arrangements, 1927-1934, 1942-1947, consists of a group of printed dance band arrangements in individual parts and conductor's score (see also Subseries A, Sub-subseries 1). Unlike Subseries A, Sub-subseries 1, these arrangements did not originally come from the WSB Radio music library. Subseries F is arranged alphabetically by title.
I Left My Heart at the Stage Door Canteen
, 1942
Subseries F, Dance arrangements, 1927-1934, 1942-1947, consists of a group of printed dance band arrangements in individual parts and conductor's score (see also Subseries A, Sub-subseries 1). Unlike Subseries A, Sub-subseries 1, these arrangements did not originally come from the WSB Radio music library. Subseries F is arranged alphabetically by title.
I Still Get Jealous
, 1947
Subseries F, Dance arrangements, 1927-1934, 1942-1947, consists of a group of printed dance band arrangements in individual parts and conductor's score (see also Subseries A, Sub-subseries 1). Unlike Subseries A, Sub-subseries 1, these arrangements did not originally come from the WSB Radio music library. Subseries F is arranged alphabetically by title.
I'm Looking Over a Four-Leaf Clover
(No. 849), 1927
Subseries F, Dance arrangements, 1927-1934, 1942-1947, consists of a group of printed dance band arrangements in individual parts and conductor's score (see also Subseries A, Sub-subseries 1). Unlike Subseries A, Sub-subseries 1, these arrangements did not originally come from the WSB Radio music library. Subseries F is arranged alphabetically by title.
The One in the World
, 1929
Subseries F, Dance arrangements, 1927-1934, 1942-1947, consists of a group of printed dance band arrangements in individual parts and conductor's score (see also Subseries A, Sub-subseries 1). Unlike Subseries A, Sub-subseries 1, these arrangements did not originally come from the WSB Radio music library. Subseries F is arranged alphabetically by title.
Serenade in the Night
(Violino Tzigano
), 1934
Subseries F, Dance arrangements, 1927-1934, 1942-1947, consists of a group of printed dance band arrangements in individual parts and conductor's score (see also Subseries A, Sub-subseries 1). Unlike Subseries A, Sub-subseries 1, these arrangements did not originally come from the WSB Radio music library. Subseries F is arranged alphabetically by title.
Modulations: A, undated
- A to Bb #1
- A to C (S-
I Hear You Calling Me
) - A to D minor (N)
Modulations: A, undated
- A to Eb (N)
- A to E minor (S-Oriental)
- A to F (N)
- A to G (N-lullaby type)
- A to Ab (N-strings only)
Modulations: A minor, undated
- A minor to A minor #1 (S-Oriental;
Song of India
) - A minor to A minor #2 (S-Oriental)
- A minor to Bb (N)
- A minor to D
Modulations: Bb, undated
- Bb to C minor (N)
- Bb to D (N)
- Bb to D #3 (N)
- Bb to Eb
Modulations: Bb, undated
- Bb to E #1 (N)
- Bb to E #2 (N)
- Bb to F #1 (S-musical comedy)
- Bb to F #2 (N)