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Bill May oral history interview, October 4, 1996

 Item — othertype: Oral History
Identifier: M139_MayB

Scope and Contents

Interviewed by Chris Paton. In this interview, May discusses his relationship to Mercer during the early days of Capitol Records, when May was employed frequently as an arranger/director for many of the major Capitol artists. May relates several anecdotes about Mercer during this period, and he talks about Mercer's assistance of other lyricists working in Hollywood. In the course of the discussion, he mentions "Hello Out There Hello" "I'll Remember You" "Mandy is Two" "G.I. Jive" and several other Mercer songs. May also discusses some technical aspects of sound recording, comparing the standards that Capitol maintained during the 1940s to other record companies and commenting upon the quality of modern technology in the production of CDs. He also talks about what it was like to do recording sessions during the 1940s. At the end of the interview, May suggests names of other contemporaries of Mercer who might be available to participate in the Johnny Mercer Oral History Project.

Dates

  • Creation: October 4, 1996

Creator

Restrictions on Access

Oral history available for research.

Biographical Note

Billy May (1916-2004) began his career as an arranger and trumpet player for Glenn Miller and other big bands in the late 1930s and early 1940s. After moving to California in 1943, May continued to work as an arranger. He was frequently employed by Capitol Records, where he wrote for and directed several major singers, including Frank Sinatra, Peggy Lee, and Nat King Cole. In addition to his work in radio, film, and television, May made several big band albums in the 1950s and 1960s, including a series titled Billy May and his Orchestra.

Extent

2 item(s) (audio (40:44 duration) transcript (28 pages))

Language of Materials

From the Collection: English

Repository Details

Part of the Special Collections Repository

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